I've been cross-posting this week from NYC on our Opera House Arts' blog, Curtain Tales. If you don't already follow that, keep an eye on it for the latest words related to our work at OHA and mission, Incite Art, Create Community!
Choreographer--or I think I'd better say movement artist--Elizabeth Streb was one of three panelists on the opening plenary, facilitated by OHA's "our own" critic-in-residence Alicia Anstead, for APAP 2010. Presenting between our lugubrious new NEA chairman, Rocco Landesmann, whose comments re support for artists waxed so spurious one could only yawn; and my fellow Bowdoin College grad Paul Miller, a.k.a. DJ Spooky (download his app for your iPhone and become your own DJ), Streb--ice-pick thin with a stand-up shock of died black hair at 59--brought the session to life with her remarks on the importance of--well, yeah--movement.
Streb showed a video message she had created when asked if she would send a message to newly-elected President Obama last year. After some hesitation, she did it. Her message is: there is one simple solution to solving the problems you face--war in Afghanistan, an economic recession, a need to overhaul our country's health and education systems. That solution is movement. If you, Mr. President, insist that every American must jump up and down three times every morning, turn around, and throw their arms up in a giant X--slowly but surely our problems would be solved.
It's a dramatic way to make an important point: the human body is a kinetic (i.e., movement) machine, and we as Americans simply don't move enough to function as well intellectually, emotionally, economically, and politically as we need to to face the current challenges the world presents to us. And moving with consciousness through the artistic discipline of dance--and Streb might argue, especially highly physical dance of the type she practices, which can veer toward the NFL--might take us to places we never before knew to be possible.
So, people, let's do it! Stand up and jump up and down three times, now and every morning. Spin around and throw your arms up into the air in a giant X! Let's move it. The new decade is on. -- Linda
Monday, January 11, 2010
Getting Serious About Creativity in the Classroom
I've been cross-posting this week from NYC on our Opera House Arts' blog, Curtain Tales. If you don't already follow that, keep an eye on it for the latest words related to our work at OHA and mission, Incite Art, Create Community!
Following on my concept of "the whole new mind for a whole new decade" posted earlier this week, Thursday afternoon I helped to lead an Education Leaders Institute (ELI) meeting in Augusta. The focus is to create a team of innovation leaders from around the state to re-design public education--moving it from the WHAT is being taught to the HOW of students learning . . . with a focus on ensuring that creativity, imagination, and innovation are primary learning methods for the new century.
This all hooks together with OHA's Kennedy Center Partners in Education program with our local schools, which helps teachers learn to integrate artistic processes and disciplines into their classroom teaching to advance the creativity of HOW their students are learning literacy, math, and interpersonal skills.
Another key piece of this in Maine is the MLTI laptop program, which in many communities has been a huge gift for how their students are learning and taking off with the innovative skills demanded by our changing economy. Deer Isle hasn't done as well with MLTI as we might, and therefore we are including technology integration as an art form--digital media arts integration--in our Kennedy Center offerings. The importance of the MLTI program to creativity brought Apple's Jim Moulton to our Thursday ELI meeting. Jim is a fantastically innovative thinker, especially around education. Check out this piece he wrote back when he blogged for Edutopia's Spiral Notebook, "It's Time to Get Serious About Creativity in the Classroom." -- Linda
Following on my concept of "the whole new mind for a whole new decade" posted earlier this week, Thursday afternoon I helped to lead an Education Leaders Institute (ELI) meeting in Augusta. The focus is to create a team of innovation leaders from around the state to re-design public education--moving it from the WHAT is being taught to the HOW of students learning . . . with a focus on ensuring that creativity, imagination, and innovation are primary learning methods for the new century.
This all hooks together with OHA's Kennedy Center Partners in Education program with our local schools, which helps teachers learn to integrate artistic processes and disciplines into their classroom teaching to advance the creativity of HOW their students are learning literacy, math, and interpersonal skills.
Another key piece of this in Maine is the MLTI laptop program, which in many communities has been a huge gift for how their students are learning and taking off with the innovative skills demanded by our changing economy. Deer Isle hasn't done as well with MLTI as we might, and therefore we are including technology integration as an art form--digital media arts integration--in our Kennedy Center offerings. The importance of the MLTI program to creativity brought Apple's Jim Moulton to our Thursday ELI meeting. Jim is a fantastically innovative thinker, especially around education. Check out this piece he wrote back when he blogged for Edutopia's Spiral Notebook, "It's Time to Get Serious About Creativity in the Classroom." -- Linda
Monday, January 4, 2010
For the New Decade: A Whole New Mind
I see from my Facebook page early this morning that everyone is off to the usual new year’s resolutions: exercise and weight loss.
But what about our brains?
Some of the most interesting research and policy recommendations to emerge from the decade just past have to do not with the benefits of physical exercise, but rather with the social, political, economic and yes, personal benefits of understanding and exercising our brains.
I therefore propose we consider the value of pursuing whole new minds for this new decade.
Both brain research and first-hand documentation of the experience of stroke victims, such as brain scientist Jill Bolte Taylor’s, have increasingly brought us the news that our emotions, behaviors, learning capacities—and resulting social and economic successes—are as much about choices we make, and educational opportunities we are offered, as about innate genetic or biological factors.
In short, the ways we learn to understand the world and to express ourselves are the result not of uncontrollable tissue but of the conscious development and nurturing of specific neural pathways: pathways which throughout our lives can be re-shaped and re-developed, even in old age, even after devastating brain injuries or stroke. Having trouble holding a job because you can’t control your anger? You can learn to consciously re-direct the habitual flow of neurons when you react to something, and change your seemingly uncontrollable responses. Are fears and anxiety keeping you from the family life or career you want to have? The focus of most meditative practices is to shift the locus of understanding from our task-oriented left brain to our right, which experiences connectedness and wholeness and can reduce the power of our daily anxieties.
Alert educators and parents have known for some time that intelligence and achievement are not all about biological I.Q., but rather about the stimuli the brain is offered—say, the number of words to which an infant is regularly exposed; the aspirations and expectations that are set for and by us; and the encouragement we receive for different types of behaviors. But how much of this new brain knowledge, moving us away from the old worlds of I.Q. tests, has made its way into our public policy, public schools curricula, and, more importantly, our daily lives?
For adults, integrating current knowledge of brain development into our lives and the lives of our children can take several forms.
On behalf of our children, researchers increasingly recognize that our public education systems are too “left brain” focused: our classrooms are good (sometimes) at teaching facts and basic math and literacy—all functions governed in the left hemispheres of our brains—and much less good at teaching problem solving and the type of creative and innovative thinking being demanded by the U.S.’s position in the global economy. Teaching creativity and innovation requires development of the right hemispheres of our brains: sectors most effectively developed through learning in and through artistic practices (the performing and visual arts). Best-selling writers Daniel Pink (author of the recent Drive and A Whole New Mind: Why Right Brainers Will Rule the Future, from where I borrowed my title) and Thomas Friedman (Hot, Flat, and Crowded) have been consistently and loudly eloquent on this subject and its importance to U.S. competitiveness in global markets: but are we working to change our local schools, and parenting, accordingly?
And with the new understanding that the brain is in fact a lifelong learner—plastic and flexible throughout our lives, “allowing for greater complexity and deeper understanding,” according to professor Dr. Kathleen Taylor in a recent New York Times Education Life story—are we adults keeping our brains and communities as healthy as we might be? Research shows our more mature brains hunger for learning that is not merely about taking in more stuff, but rather that which challenges our perceptions of the world: a kind of stretching of the brain beyond its comfort zone that breaks it away from established connections, thereby encouraging the growth of new pathways. “If you always hang around with those you agree with and read things that agree with what you already know, you’re not going to wrestle with your established brain connections,” Dr. Taylor concludes.
Taking new routes to work; learning new languages; having conversations with those different from us as well as those who share our world views; experiencing the arts and ensuring our children do as well; meditating: these are new year’s resolutions which will, in the long term and as importantly as physical fitness, benefit our national health as well as our personal well-being. Whole new minds for the new decade.
But what about our brains?
Some of the most interesting research and policy recommendations to emerge from the decade just past have to do not with the benefits of physical exercise, but rather with the social, political, economic and yes, personal benefits of understanding and exercising our brains.
I therefore propose we consider the value of pursuing whole new minds for this new decade.
Both brain research and first-hand documentation of the experience of stroke victims, such as brain scientist Jill Bolte Taylor’s, have increasingly brought us the news that our emotions, behaviors, learning capacities—and resulting social and economic successes—are as much about choices we make, and educational opportunities we are offered, as about innate genetic or biological factors.
In short, the ways we learn to understand the world and to express ourselves are the result not of uncontrollable tissue but of the conscious development and nurturing of specific neural pathways: pathways which throughout our lives can be re-shaped and re-developed, even in old age, even after devastating brain injuries or stroke. Having trouble holding a job because you can’t control your anger? You can learn to consciously re-direct the habitual flow of neurons when you react to something, and change your seemingly uncontrollable responses. Are fears and anxiety keeping you from the family life or career you want to have? The focus of most meditative practices is to shift the locus of understanding from our task-oriented left brain to our right, which experiences connectedness and wholeness and can reduce the power of our daily anxieties.
Alert educators and parents have known for some time that intelligence and achievement are not all about biological I.Q., but rather about the stimuli the brain is offered—say, the number of words to which an infant is regularly exposed; the aspirations and expectations that are set for and by us; and the encouragement we receive for different types of behaviors. But how much of this new brain knowledge, moving us away from the old worlds of I.Q. tests, has made its way into our public policy, public schools curricula, and, more importantly, our daily lives?
For adults, integrating current knowledge of brain development into our lives and the lives of our children can take several forms.
On behalf of our children, researchers increasingly recognize that our public education systems are too “left brain” focused: our classrooms are good (sometimes) at teaching facts and basic math and literacy—all functions governed in the left hemispheres of our brains—and much less good at teaching problem solving and the type of creative and innovative thinking being demanded by the U.S.’s position in the global economy. Teaching creativity and innovation requires development of the right hemispheres of our brains: sectors most effectively developed through learning in and through artistic practices (the performing and visual arts). Best-selling writers Daniel Pink (author of the recent Drive and A Whole New Mind: Why Right Brainers Will Rule the Future, from where I borrowed my title) and Thomas Friedman (Hot, Flat, and Crowded) have been consistently and loudly eloquent on this subject and its importance to U.S. competitiveness in global markets: but are we working to change our local schools, and parenting, accordingly?
And with the new understanding that the brain is in fact a lifelong learner—plastic and flexible throughout our lives, “allowing for greater complexity and deeper understanding,” according to professor Dr. Kathleen Taylor in a recent New York Times Education Life story—are we adults keeping our brains and communities as healthy as we might be? Research shows our more mature brains hunger for learning that is not merely about taking in more stuff, but rather that which challenges our perceptions of the world: a kind of stretching of the brain beyond its comfort zone that breaks it away from established connections, thereby encouraging the growth of new pathways. “If you always hang around with those you agree with and read things that agree with what you already know, you’re not going to wrestle with your established brain connections,” Dr. Taylor concludes.
Taking new routes to work; learning new languages; having conversations with those different from us as well as those who share our world views; experiencing the arts and ensuring our children do as well; meditating: these are new year’s resolutions which will, in the long term and as importantly as physical fitness, benefit our national health as well as our personal well-being. Whole new minds for the new decade.
Sunday, January 3, 2010
Tuesday, October 20, 2009
Provenances of Beauty
How do we see and understand the beauty hidden all around us--especially when both our definitions of beauty and the world itself are constantly shifting? The Foundry Theater's new performance piece, "Provenance of Beauty," takes audience members on a bus tour of the South Bronx to explore this question. During the 90-minute "tour," narrated by three voices (two recorded, one live), participants are treated to a personal, political, and often hidden history of that most downtrodden of New York City's five boroughs, the Bronx.
Did you know the Bronx was NOT named for a Dutch farmer, but rather for a Swede? Did you know that in Hunt's Point a prison barge; a water treatment plant; and a fertilizer manufacturer hold sway, shoulder to shoulder, over most of the waterfront? That in the late 1970s, the South Bronx burned at a rate of more than 10 city blocks per day for more than four years? That the "eminent" master planner Robert Moses constructed tens of thousands of low-income housing units in tall towers in the Bronx--consolidating and isolating those in poverty in ways that would forever mark this neighborhood; while simultaneously displacing more than 1500 families when building the Cross Bronx Expressway?
What the "Provenance of Beauty" shows most critically is the constant change that all of our communities undergo, and the tidal and often seemingly uncontrollable powers behind such changes. When a blighted waterfront is turned into park, are there losers as well as winners? When an abandoned piano factory is turned into high priced condos, how is a neighborhood and its population morphed? How does our particular aesthetic of what is "beautiful" or something we are able to see effect our community development and planning decisions? How do our aesthetics affect those living in poverty? And ultimately, what are the full ramifications from the process we know today as "gentification:" happening not only in the South Bronx but in many of our small, traditional, and rural communities as well? Who ultimately decides what is "beautiful"? Who wins, who loses?
Did you know the Bronx was NOT named for a Dutch farmer, but rather for a Swede? Did you know that in Hunt's Point a prison barge; a water treatment plant; and a fertilizer manufacturer hold sway, shoulder to shoulder, over most of the waterfront? That in the late 1970s, the South Bronx burned at a rate of more than 10 city blocks per day for more than four years? That the "eminent" master planner Robert Moses constructed tens of thousands of low-income housing units in tall towers in the Bronx--consolidating and isolating those in poverty in ways that would forever mark this neighborhood; while simultaneously displacing more than 1500 families when building the Cross Bronx Expressway?
What the "Provenance of Beauty" shows most critically is the constant change that all of our communities undergo, and the tidal and often seemingly uncontrollable powers behind such changes. When a blighted waterfront is turned into park, are there losers as well as winners? When an abandoned piano factory is turned into high priced condos, how is a neighborhood and its population morphed? How does our particular aesthetic of what is "beautiful" or something we are able to see effect our community development and planning decisions? How do our aesthetics affect those living in poverty? And ultimately, what are the full ramifications from the process we know today as "gentification:" happening not only in the South Bronx but in many of our small, traditional, and rural communities as well? Who ultimately decides what is "beautiful"? Who wins, who loses?
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